Resolution is not the same as seeing. Why extra sharpness can flatten the thing you meant to keep, and what the older, softer files still know how to hold onto.
Photography
Pictures as arguments—light, place, and what the frame leaves out.
Five days, one camera, no list of sights—Lisbon as light, tiles, and the hour when cafés empty. Walking until the pictures start to arrive on their own, unplanned.
Some facades reject the lens. On glass, glare, and cities that look better in memory than in files—buildings that will not sit still long enough for a photograph.